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vls/2603nrwcece.visuallibrary.netvdCrime and illusionthe art of truth in the Spanish Golden AgeCrimen e ilusiónElarte de la verdad en el Siglo de OroPereda, FelipeautLópez-Morillas, ConsuelotrlÜbersetzertextbookLondonTurnhout, BelgiumHarvey Miller Publishers20182018monographic© 2018eng334 SeitenIllustrationenAccording to an old historiographic tradition, the Spanish Golden Age placed the imitation of nature at the service of religion: its radical naturalism responded to the deep faith of that culture and moment. Crime andlusion argues the opposite. It defends the thesis that the fundamental problem artists of the Golden Age confronted was not imitation but Truth. Moreover a large part, maybe the best part, of Spanish Baroque religious imagery is better understood as a complex exercise in addressing the spectators' doubts. Hovering on the horizon of an emerging empiricism, artists created their images as pieces of evidence, arguments for belief. Crime and Illusion reconstructs and interprets this judicial or forensic aspect of early modern visual culture at the center of a political, religious, and scientific triangle. Finally, the book explores the artists' skeptical reflection on the problematic relationship of painting and sculpture to the art of truth. --from the publisherFelipe Pereda, Harvard University ; translated by Consuelo López-MorillasSpanienKunstGeschichte 1600-1700BVBBV045455918978-1-912554-09-6HT020041097Harvey Miller studies in Baroque artKn 300020050KMB/NLF 535 20185/700058000P 152/146102kunv151.p4342019042520201007148157301rda https://ce.visuallibrary.net//domainresource/static/graphics/connectors/viewerLogo.gif http://193.30.112.129:83/F/?func=find-c&ccl_term=ICS%3D148157301+X0001 https://ce.visuallibrary.net/id/1071080 https://ce.visuallibrary.net/i3f/v20/1071080/manifest https://ce.visuallibrary.net/proto_ftsearch/1071080